Ugh, its still chilly here. Maybe not bone-rattling cold but its only 50 degrees! All the more reason to be thankful of being un-homed in Hawaii. Of course I doubt there is anyone un-homed and bouncing around the streets of New Hampshire. Just doesn’t seem likely, but I’ll have to ask to know for sure.

Many people ask why my folks moved to NH after 35 years in Hawaii. Simple answer is that they decided to do something different and thought it would be more affordable too. Plus my Mom is from Connecticutt and one of my sisters lives there, so there’s a connection to the area for her.

Needless to say this isn’t a childhood home. It doesn’t carry the layers of memory and visceral reactions of the house in Kailua. That’s long gone now and forming someone else’s memory banks. But there is familiarity here. Naturally it all centers on my parents first, then other things: furniture, food, and there used to be cross-over pets, though they’ve passed on now. While I’ve been here there has been the funny banter, the teasing, the stubborn disagreements, and the sad faces; all hallmarks of a continuity that speaks of time rather than location.

In this case the location isn’t a formative one for me. Besides Hawaii that’s New York City where I spent about seven years, and Providence, Rhode Island for one year. RI is where I began to truly understand painting for the first time. The painting pictured here was one of those early ones that managed to survive.

But it was in NY that I immersed in art and later tai chi with some beginnings of Chinese medicine. NY is also where I can still get visceral flashbacks of things like Spring in the city, the excitement of young discovery, or the pains of disappointment. A lot of ground was covered while I was there: I worked as a bike mechanic and tooled around the city like riding in a big video game; I played pool with the old pool sharks on 14th St; I worked as a freelance artist and calligrapher; taught calligraphy with my painting and calligraphy mentor; painted; fell in and out of love; and went to museums a lot.

NY is also where I’ll be headed next for a few days. It’ll be good to reconnect with my tai-chi and acupuncture teacher, Dr. Mou. I know he’ll be pleased to hear that my clinic has started to do well, though I don’t imagine I’ll be able to convey being un-homed. His grasp of English has always remained limited so trying to get concepts accross can be a challenge. Besides it’ll be a time to connect energetically, something that happens outside any issues of circumstance. He just simply exudes quiet and that’s very grounding; something I need in healthy doses right now.

For the moment its still family time here. And at least its stopped raining; Some small measure of relief for the lack of sunshine.


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About the Author

  • Joe Bright
    Joe Bright is a graduate of Iolani School and went on to study art at The Cooper Union School of Art in New York City, and later Chinese medicine at The American College of Traditional Chinese Medicine in San Francisco. Joe currently runs a small acupuncture clinic, Kama鈥檃ina Acupuncture in Kapahulu as the first dedicated low-cost 鈥渃ommunity acupuncture鈥 clinic in Honolulu. Joe has a varied background that has included working as a bicycle mechanic, freelance artist, teaching calligraphy and Tai Chi, a nanny, and even a CEO of a small entrepreneurial company. He continues to create art, even having work recently appear at the Honolulu Academy of Arts as well the Bishop Museum. He also continues with entrepreneurial projects when possible and serves on the Board of Directors for a local Buddhist meditation organization, Vipassana Hawai鈥檌.